I had a great opportunity to work with Justine one last time before she headed off to the big city to boost her career. There is always something wonderful about shiny latex, and taking latex pictures can be a challenge.
Latex is great under flash photography, under continuous lighting the shiny sometimes does not work out the way that it needs to work out with the light reflecting off the model so you get the super shiny highlights.
One of the interesting challenges of lighting this is to ensure the backdrop stays white, and that the colors pop all the way through the outfit. In the end I used two barn door spots on the background, and then two 30-inch soft boxes for the model to make sure I got something shiny. I do tend to use a four light setup, one set of lights for the background and one set of lights for the model.
To make sure I got the shiny on the latex I used a latex polisher and silicone based lubricating gel. The latex polisher was an excellent touch to make sure I got the shiny look and feel while the lubricating gel was all about getting into and out of the latex while giving it that wonderful wet look that is essential to taking good latex pictures. The stark white background was used for the shoot so that I could get the colors to pop off the outfit and give additional texture and vibrancy to the colors.
I am still learning how to do amazing latex pictures, but what I find the most interesting about shooting latex is the phenomenal costs associated with purchasing the outfits. Latex models are also a breed apart when it comes to working with the materials. Some of the best suggestions I got on the care and feeding of latex was from the models I work with. In all this is a fun project to work on, and while I wish I could show you much more, I am still plagued by people trolling through Smugmug looking for naughty pictures, so much of what I do has been locked off and is no longer publicly accessible.