Tag Archives: Lightroom

Glamour Bikini Model Javs Anne

Glamour Bikini Model Javs AnneGlamour Bikini Model Javs Anne

This is a set from Rock the Bikini earlier this summer, trying to catch up on all the pictures I have taken this summer has ended up being a challenge that I am really falling behind on. If you want to see all the modeling pictures go to this LINK, if you want to see all the events, burlesque and other stuff including PAX go to this LINK.

Javs Anne is one of the more fun models to take pictures of. She has a natural grace when it comes to working with her in front of the camera. She has a photographer boyfriend/husband/SO that has kept her busy since this photo shoot and I am glad that I met both of them. The set pretty much so speaks for itself in terms of the model and how natural she is in front of the camera.

I used a white reflector and a fill flash for this as we were under a tree at the time, and the tulle fabric we were using as a prop for the whole shoot. I really needed something that would cut through the tulle so that I could get some of the light through it and fill in the shade from the tree. Full day light and water behind the model was the real issue throughout this photo shoot, so the reflector and the fill flash with my favorite gary fong was the best way to go.

I didn’t use any special effects in Lightroom or any other software program. From Camera to Lightroom, with some highlights and increasing the contrast a bit was all that was really needed to bring out the model and give the mood that I was trying to create for this quick model set.

Glamour Bikini Model Javs Anne

 

Enhanced by Zemanta

On One Perfect Photo Suite 7.5.1 Review

On One Perfect Photo Suite ReviewOn One Perfect Photo Suite 7.5.1 Review

The only reason why I know about this software is a hat tip from a photographer over on Google Plus, so G+ is an amazingly vibrant photographic community and we share a lot of information about what we use and how we use it. I have been mucking about with the trial demo version of the software now for about 20 days and I have to say that I am going to buy it.

Getting me to buy more software is a pain, I have a work flow that works for me, Camera to Lightroom, to any kind of touchups that I want to do in Photoshop.

On One fit perfectly into this work flow, and it did change to Camera, Lightroom, On One for effects and art work to Photoshop for conversion over to JPG and usually sharpening and embossing.

Usually software is not something I bring right into a work flow to see what happens with it. But as I got more and more comfortable with the artistic and portrait touches I could do with it, for those pictures I want to bring into an art effect with this software made perfect sense. Not all pictures are ever going to end up on the art side of the work flow. Often Lightroom is just enough to work with when cranking out modeling pictures or working with landscapes and then working effects in Photoshop. On One perfect photo suite seriously cut down the amount of time that I am working the same effects in Photoshop, but opened up a whole new avenue of working with photos that I would have originally only have done back in a real dark room with a real wet process.

I was even able to recreate some of the pictures nearly exactly in Perfect Photo Suite that I was able to create in a wet process in a dark room.

Usually this is what I would create in a Dark Room using a wet process
Usually this is what I would create in a Dark Room using a wet process

Would I recommend it, yes, it seems to do a lot of really interesting art and general effects that can enhance a picture for publication. It does not do everything you can do in Photoshop, but it creates some clean edges when masking pictures, creating silver effects in black and white images, some refocusing effects, and then the huge pool of art and other effects that you can use to put a different spin on a picture.

For example in one picture I was able to put a flame effect on the hem of a skirt to bring out the idea of movement on the stage.

 

Burlesque dancer with flame effect on hem of skirt
Burlesque dancer with flame effect on hem of skirt

Honestly you could and probably will spend 200 to 300 dollars on software that will do less, is harder to use, and does not do what you want it to do right off the bat. There is almost no ramp up speed with the On One Perfect Photo Suite. The software has saved me hours working on some of the art pictures I have been working with. So check out the smaller gallery below. All of these were made with On One. I was not compensated for this – really just a hat tip from a photographer, a quick painless free 30 day trial download, and my 2 cents for what it is worth.

 

Enhanced by Zemanta

Grid Girl Roxy and a Vintage Charger

Grid Girl Roxy and a Vintage ChargerGrid Girl Roxy and a Vintage Charger

This is another grid girl via Femme LTD here in Seattle. This one was done earlier in the morning without using a reflector and just a polarizer on the lens. Processed in Lightroom 4.4 from Adobe with the standard HDR settings (highlights -100, shadows +100, white and black balance according to taste, and clarity +60).

I like the way that these settings helped bring out the reflection in the cars, in some of the pictures I dropped the color channels to highlight the burnt orange color of the car and the highlights in Roxy’s hair which matched out the color of the car fairly well. In others I took them as is right off the camera without any Lightroom trickery. Sometimes you can over do the Lightroom settings by adding too much clarity to the picture. That really depends on your model, what I have learned is that the darker the skin tone the more clarity you can add to a picture if HDR is your thing. For people with really pale skin, like a red head or someone who is very white, you really can’t use a lot of clarity because it brings out interesting bruising colors in their legs or a lot of veins that are time consuming to pull out using the healing brush in Photoshop. Tradeoffs are everywhere, you need to figure out what suits your artistic vision against what the manipulation looks like in Photoshop or Lightroom.

There are always problems with light shooting on an overcast day, so having a reflector is a good idea. I used the white side of the reflector for this one thinking that the gold side would impart too much color to the skin tones all the way through the process. My thinking looks like it was right in this instance with this model and the light conditions for the photo shooting time I had with her. Roxy is a pretty cool person to work with and she is a lot of fun in front of the camera. Overall I am pretty happy with how these all came out so as always looking for your opinion on the matter just to see if I was wrong or right with my assumptions and what I did post photo shoot with the images.

These pictures were shot using a Nikon D5100, a Nikor 18-105 lens with a 64MM Polarizer on the lens. I used a standard 42 inch reflector with the white side reflecting light onto the model. The light room settings were standard HDR settings (see above for the numbers) and pushed out at 300 DPI from the export.

 

 

Enhanced by Zemanta