When Shooting in Rapid Mode makes Sense or Why Spray and Pray can be an option
We all hear about spray and pray as a derogatory remark about when someone is simply clicking the shutter or shooting in burst mode on their camera. The implication is that the person shooting the shot is an untested noob, but the reality is when you need to shoot in burst mode, you have to shoot in burst mode.
Low light, lots of action, go burst mode, shooting wild life, go burst mode, shooting action anything, shoot burst mode, or as “photographers” will call it, spray and pray. Got a guy running towards you with a sword recreating a roman war scene, shoot burst mode, got someone dropping a bowling ball off a ladder in low light onto someone sporting a cinder block, shoot burst mode.
Sorry folks, not every shot can be carefully orchestrated so you only have to take one shot. There is always someone derping, there was movement on the hands, there were eyes closed, there was something that is going to totally invalidate that picture. Event photography like side shows, burlesque, darts, archery, maybe roller derby all means you can’t sit there and finesse the shot, you gotta shot when you gotta shoot and try not to over run your camera buffer.
Small children, animals, you name it where the event cannot be controlled and the process is unpredictable because of large groups because there is always someone derping with an eye closed or something else, shoot in burst mode, or as the “professionals” will call it, spray and pray.
We all know that spray and pray is not for every purpose, like in the studio where everything is controlled down to the lighting. Over time as you get more comfortable with your camera and the situation around you, you will know when to take the single right moment frame, or when to burst mode on your camera. That is part of the trick of knowing your gear, knowing where you are, and knowing what the situation calls for when taking a picture.
Don’t ever let anyone tell you how to take a picture, there are a lot of darn fine mechanics out there with a camera, but few artists. Not everyone is going to be Ansel Adams, we just can’t be, shoot the way you want to shoot, shoot what works best for you, you are the photographer. If you want to take 100 shots of the same thing do it, if you want to take one shot of the bowling ball landing on someone’s chest, that is your call, not some other photographer’s call to tell you how to take a picture. It’s just that simple, all the other photographer does is show he is a diva, and I think we have all had enough of prima donna photographers.